Gabino Iglesias
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Erika T. Wurth's novel belongs to a new wave of horror fiction that delivers the creepiness and darkness readers have always associated with the genre, while also packing plenty of social commentary.
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The Passenger and Stella Maris -- the author's first two books in more than a decade — seem to want to decode the meaning of life, both as standalone novels and together as intertwined works.
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Luda is a magical, multilayered, intoxicating story about identity, stardom, performance, lust, and death that could only have come from the prodigious mind of Grant Morrison.
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Javier Zamora's book, as touching as it is sad, and as full of hope and kindness as it is harrowing, is the kind of narrative that manages to bring a huge debate down to a very personal space.
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Most humans walk around feeling like they know what reality is, but the message at the core of Dr. Guy Leschziner's book is that all sensory information we receive is intrinsically ambiguous.
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Kim Fu's book contains 12 stories that peel away layers of normalcy to reveal weird, creepy things; though very different from each other, they share elements, giving the collection a sense of unity.
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Hanya Yanagihara worked three centuries of imagination into this novel — undoubtedly an achievement. But the onslaught of details and stories muddle the narrative, weighing on the reading experience.
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Wanda M. Morris' All Her Little Secrets is a carefully constructed thriller wrapped in a narrative about racism, gentrification, and being the only Black person in an all-white environment.
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Celso Hurtado's YA horror novel combines a real San Antonio legend with classic elements of YA narratives to tell a story of friendship that explores the possibility of the supernatural.
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The book by NPR's Tim Mak might be the final blow in terms of exposing the organization's rotten core and showing how a boundless love for money and power has eaten away at the group's foundations.