Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, was published in April 2016 by HarperCollins.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (Home) Concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.


"Hello, this is Ben Gibbard, welcome to Tiny Desk, Seattle style."

Jesca Hoop last appeared at the Tiny Desk as a duet with Sam Beam (Iron & Wine) in the spring of 2016. They sang songs from their collaborative record Love Letters For Fire. This time around, Jesca Hoop came to the Tiny Desk with just her guitars, her lovely voice, and brilliant poetic songs. She has a magical way with words, and she opened her set with "Pegasi," a beautiful song about the wild ride that is love, from her 2017 album Memories Are Now.

This is the most engaging song by Bob Dylan I've heard in decades. As someone who grew up in the era of President Kennedy's assassination, the portrait Dylan paints in "Murder Most Foul" is extraordinary, and takes me back to those days, to my memories of a nation overwhelmed by grief. There's something eerie about this song coming out at this precise moment.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (Home) Concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (Home) Concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (Home) Concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.


On Monday March 30, Sophie Allison, aka Soccer Mommy, was to perform a long awaited Tiny Desk concert at my desk. Now the world has changed, and with the coronavirus keeping us at a distance, we're taking a break from filming Tiny Desks at the office for a while.

The 2020 Tiny Desk Contest is still underway. Along with supporting unsigned independent musicians all across the country, we've been reaching out to those musicians who had high hopes of performing at the SXSW Music Festival and are now unable to do that.

So much magic unfolded in such short order. Within the first moments of Taimane's stunning set, we hear her play fiery flamenco, a famous phrase from the opera Carmen, a touch of Bach and more than a nod to her Hawaiian homeland, all on her ukulele.

We've never had an original Mellotron at the Tiny Desk until now. Much like a Hammond organ, it's big, heavy and fragile. When they fired it up, with all its mechanical gears turning tape loops and moving play heads, the 15-year-old geek in me blissed out.

The Mellotron was a magical 1960s invention that predates sampling. It's a keyboard instrument, with each piano key triggering a tape loop — the sound could be a string ensemble, a flamenco guitar, a saxophone and so much more. Think about the flute sounds on The Beatles' song "Strawberry Fields Forever" and you get the idea.

Having seen Jenny Lewis' recent concert spectacle, with its Las Vegas sparkle — complete with a multi-level stage — I loved the contrast her Tiny Desk Concert provided.

Jenny arrived at NPR with just her acoustic guitar and bandmates Emily Elbert, who sang and played guitar, and Anna Butterss on upright bass and vocals. Stripped of all the glitz, it was the words that found their way to my heart. A consummate storyteller, going as far back to her days with her band Rilo Kiley, Jenny's words have comforted and inspired so many.

Watching Elisapie perform, her intensity is undeniable. I feel it in her gaze, in her deep, soulful bellow. Elisapie is a Canadian singer and songwriter born in Salluit, on the northern tip of Quebec. Her lyrics, most often sung in her native Inuktitut as well as English and French, touch on her life as an adopted child and on meeting her biological mother. Now, as a mother herself, she sings about what it must have meant to her own mother to give up her child. Elisapie left her birth-village, Salluit, as a teenager and headed to Montreal, leaving her community and her sick mom.

There's intensity and clear intention to the music of Another Sky. I knew that from having seen this London band perform at SXSW. But in the confines of an office, hearing Catrin Vincent's unique voice, raw and un-amplified, brought it to another level. They came to NPR back in December to perform, opening their Tiny Desk set with a new song, released just this week. "Brave Face" is a window into the uncompromising sound and message of Another Sky, as Catrin sings in her impassioned voice:

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In the past year, we've had some pretty big names come perform at the Tiny Desk: Lizzo,

Rising Appalachia's Tiny Desk Concert is charged with the roots music that sisters Leah Song and Chloe Smith learned in fiddle camps as kids. Growing up in urban Atlanta and beyond, they also heard rhythms from a wider world, and their music grew to reflect new sounds and their activism.

J.S. Ondara's journey to the Tiny Desk is a fascinating one. From his home in Nairobi, he listened on his sister's radio to American artists, including Nirvana, Jeff Buckley, Death Cab For Cutie and, most importantly, Bob Dylan. He wanted to be a folk singer, so he moved to Minnesota, Dylan's home state.

Yola: Tiny Desk Concert

Jan 17, 2020

With her bouncy Afro and a big smile, Yola's presence behind the Tiny Desk was commanding, her energy captivating and, oh, that voice! I first saw Yola, then known as Yola Carter, in 2016 in Nashville, during AmericanaFest. Her soulful sound needed little amplification and, with her classic R&B swagger, I assumed her background was as a southern gospel singer, until she spoke. Her British accent was a shocker.

Editor's note: Jon Batiste's Tiny Desk Concert was published prematurely. The new publication date is March 2020.

Copyright 2020 NPR. To see more, visit https://www.npr.org.

I've got to wonder just what Daniel Norgren remembers of his performance at the Tiny Desk. For almost the entirety of his blissful performance, the bluesy Swedish musician kept his eyes tightly shut, as he seemed to tap into old souls to help conjure his tunes. He and his band play music steeped in American roots music, and his delivery recalls the way the Irish singer Van Morrison voices his soulful sounds.

When we first started filming musicians playing behind the Tiny Desk in April 2008, the beauty was in the intimacy and simplicity of these concerts. Now into our 11th year, after more than 900 Tiny Desks, the other treasure I find in these concerts is the variety. I remember having the cast of Sesame Street here in May, with NPR parents and their children seated on the floor watching the Muppets.

These are my favorite albums of 2019. The flood of music and the variety of music in 2019 felt exhilarating, though also overwhelming. I couldn't keep it to my usual top ten, so I extended it to twenty.

The Comet is Coming is a force of nature. The British trio's approach to the Tiny Desk was ferocious. Shabaka Hutchings, aka King Shabaka, blew his sax hard while his effects pedal added reverb, expanding not only his sound but altering the office and making it a little eerier.

It's almost always impossible to pinpoint an exact moment in music history when the plates shift. But looking back at the last decade in Latin music, it's easy, now, to see that the release of "Despacito" by Daddy Yankee and Luis Fonsi in early 2017 was just such a moment.

KOKOKO! are sonic warriors. They seized control of the Tiny Desk, shouting their arrival through a megaphone, while electronic sirens begin to blare. There's a sense of danger in their sonic presence that left no doubt that something momentous was about to happen. And it did!

With instruments tied and hammered together — made from detergent bottles, scrapyard trash, tin cans, car parts, pots, pans and more — KOKOKO! managed to alter the office soundscape.

Sunny War has a soothing voice but at the Tiny Desk, she didn't talk much, at least not until she saw the Talking Master P doll on the Tiny Desk shelf. With a huge grin, Sunny looked up, pointed at Master P and said to NPR Music's Stephen Thompson (the doll's owner), "if you want to sell it..." Stephen promptly replied, "not for sale!" To make her even more envious, he quipped, "It's signed by the man himself." It was a lighthearted moment from a heavy-hearted singer.

CHAI: Tiny Desk Concert

Oct 23, 2019

My face hurt from smiling so much! That's what I remember most about CHAI's Tiny Desk. CHAI is a sweet, colorful blanket of joy. These four women from Japan — twin sisters Mana and Kana, along with Yuna and Yuuki — are on a mission to expand the conventional notion of what we think of as "cute" or "kawaii" as it's called in Japan.

Charly Bliss arrived at the Tiny Desk with roughly 20 gold balloons, a burst of energy and some glitter to match. The vibrancy, especially from singer Eva Hendricks, can feel childlike and candy-coated. On the other hand, the subject of these songs is more about the pain of entering adulthood and leaving some of that sweetness behind. The three songs performed at the Tiny Desk, all from the band's second album, Young Enough, are dark songs laced with the hope of bettering oneself.

"Maybe it's the start of something, and maybe it's not." That's what I said at the very first Tiny Desk concert back in April 2008, featuring Laura Gibson. It's quite a trip to go back 11 years and watch the first Tiny Desk concerts — quaint may be the best way to describe it. I started this series with no idea how much an intimate concert in an office would change the lives of the musicians and thrill millions of viewers all over the world.

Josh Ritter came to the Tiny Desk with the enthusiasm of a young child and the wisdom of an old soul. He arrived armed with a message and musical soulmates, Amanda Shires on fiddle and Jason Isbell on acoustic guitar. Both play on Josh's 2019 album Fever Breaks; in fact, Jason produced the record.

Warning: The opening cut on this week's show, by Fran got stuck in my head and kept me wide awake at four in the morning. But a song from Soccer Mommy about dealing with temptation and the devil, Ruby Duff's "rainbow of emotions," Chastity Belt's first new music since 2017 and (Sandy) Alex G's devastating song titled "Hope" will help when taken at a hefty volume.

There's a hush to the music of Nilüfer Yanya that made the Tiny Desk the perfect stage for her sound. On a hot summer day, the British singer and her band — made up of Jazzi Bobbi primarily on sax, Lucy Lu on bass, Ellis Dupuy on drums and Nilüfer on guitar and vocals — performed their three-song set with restraint and subtlety. At moments, the music felt like an eruption waiting to happen, though the suave, refined sound left an indelible vibe in the room.

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